But it doesn't work as well in more nuanced conversation pieces. You get to enjoy hurting the person who hurts you, before rewinding and doing the "right" thing. There's a cartoonish aspect to this that works really well. A little taste, that's all.Ĭolin: The drama in Chrysalis is at its best in the interactions between Max and her nemesis Victoria. I want to be the bad guy for a minute, but just a minute. Max's ability is my teen dream - the power to take back your embarrassing words and fire back with something fresh and informed, or play out a particularly satisfying revenge scenario before opting for the more humane choice. Still, I dig the time travel element because it feels strangely at home in the world of a young person. Rewinding with the knowledge she'd use to chastise me did me no good Max wouldn't use that information to her advantage. There was a student I spoke with who, for both dialogue choices, was condescending. Megan: I was frustrated that you can't affect some of your smaller conversations.
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